Freebird Live: Metal Hoedown in Florida

I crossed the Velono bridge sneaking in the back way down A1A to the Freebird Live Jackson Beach, Florida.  What a night,waves crashing and Hank III/AssJack! YeeeHaw.We pull around the block which is encircled by a line of Metal Heads and Hellbillys! It’s Wednesday, Sept 1st and we are ready to tie one on! For those not from the south that means get drunk with the Hellbilly King, Hank III.
The Freebird is 2 levels, holds 700 and there isn’t a bad spot in the place.I decide to hang right at left stage next to hanks long time slide guitar player Andy Gibson and there guitar tech. Then, it has been said a million times, the ghost  of his Granddaddy, Hank III jumps up and into “Straight to Hell!” The crowd of Metal heads erupts! “That’s why we’re here!” In a whirlwind of his old tunes he raises the crowds adrenalin! He is a professional! He then hits us with the new. Pabst Blue Ribbon cans are everywhere and there is no better hoedown going on anywhere!

All this for $15! WTF?  “The best and cheapest show out there you can buy” he snarls. Two hours later he yells,”Give us 10 minutes.” 10 minutes later AssJack is killing it. Hank is now on guitar, fiddle player is on a guitar and stand up bass has traded in for an electric bass after they have already jammed for 2 hrs.WTF again!Ass Jack tears it up for another 2 hrs.AssJack is true Americana Metal. Hank III and AssJack are Americana and America needs Americana. Hank thank you sir and your entire crew and band.Thank You!
Ol’Cracker
Cracker lak kins

Neil Rush Band

Happened to pick up something about this site after watching the Neil Rush show in Sumner at the company party where i work on Aug. 28. The players are great. We are mostly an Asian community who didn’t grow up with rock music like this. We know about The Ventures who sound alot like these guys. It was great to have live music at our company’s 25th celebration. My favorite of all was when the players put hair nets on while performing saluting us who work in the seafood industry. These guys and girls (backup singers) have so much fun on stage…the hair nets were a sight to see.

Tom H.

Nashville’s Trevor Finlay Opens for Charlie Daniels Band at Wilson County Fair

We had the opportunity of photographing Trevor Finlay Monday at the Wilson County Fair…sigh…he was opening for Charlie Daniels and did another GREAT job up there on the Big Stage!

A true Entertainer’s Entertainer and lively notes and personal quotes in his timely songs…always enjoy Trevor’s Performances…he is Charismatic, Humble, and Generous in Sharing is Divine Given talent as shouts came from the audience just behind me…”Now That’s What I’m Talkin’ About” to “WOW, This Guy is AMAZING”

Musicality meets Memories of a Night well spent…we cherish this Musicool Angel sent down from Canada several years ago to help us all have HOPE and a really GOOD TIME!

Kudos and BTW if any one out there has not heard Trevor play his “Violap” make it a point to catch his next performance…you will not be disappointed cause TREVOR FINLAY ROCKS and ENTERTAINS wherever he goes!

Respectfully,
Ann & Randy Dorman
Scenic Ridge Records and Studios
Old Hickory, TN 37138

The Northwest Scene is a Rush!


© Neil Rush Band

They say things come in threes. About two months ago was the 25th wedding anniversary of rock legend, Kent Morrill and his wife, Toni. Big doin’s and a great musical party for their family and friends.  Last weekend was another 25th wedding anniversary in their family, and music was center stage from a coterie of many Northwest rock icons.

Got a call today to come over to the 25th anniversary party for a company in the small town where I live and guess who was playing? You got it. Many of the same icons who’ve been celebrating all summer infusing the iconic roots of what has made the Northwest famous. Today the Neil Rush Band was the featured headliner, and because this is all a huge musical family, the lines were firmly in place showing a who’s who at a fabulous community gathering.

What many people don’t remember is that the Northwest scene is at once independently indie music; and the distinct thread between R&B that weaves the fabric of the magic carpet ride of 20th century rock and roll.  Members of  The Fabulous Wailers were on hand to perform with the Neil Rush Band and a list of esteemed sidemen. These guys are all  pros from the word go!

Kent Morrill for instance, started the whole dang deal in 1959 with the hit instrumental single, “Tall Cool One.” As the lead of The Fabulous Wailers, Morrill’s influence and their legend grew with a bevy of other greats including, Gail Harris. Neil Rush was also influential in the NW scene inviting a girl by the name of Merrilee Rush to join his troupe. Her hit single “Angel of the Morning”  a Top 10 song earned her a Grammy nomination for Female Vocalist Of The Year in 1968. “Angel of the Morning” was written and composed by songwriter Chip Taylor, né James Wesley Voight, the younger brother of the actor Jon Voight.  Taylor had also written and composed “Wild Thing,” a hit for The Troggs in 1966. So there’s quite a bit of history about who these folks are and how this quilt of music was built so to speak.

But what did they play today? Hard rockin’ favorites including “The Midnight Hour,” “All Night Long,” Joe Cocker’s “Unchain My Heart,” and Hoagy Carmichael’s “Georgia On My Mind,” made immensely popular by Ray Charles.

Now…this is where things start getting interesting. When you see these icons play music Ray Charles made so popular, the thread of R&B comes out of every player regardless whether it’s keys, drums, sax, or guitar. Ray Charles lived in the Seattle/Tacoma area long enough his brilliance as an African American R&B phenom filled all these young white guys to the brim with ideas that took the music just a little bit further down the road into garage rock. A gutsy, raunchy sound so influential Aerosmith, The Kinks, The Rolling Stones, and The Beatles have all given credit to the garage scene that spilled out of the isolated Northwest region during the late 1950s into the early 1960s and continues today.

Morrill sitting center stage at the keys gave a special nod to  one of The Fabulous Wailers early hits, “Dirty Robber,” which he said he’s especially pleased is being covered in a new documentary by The White Stripes. While I’ve not heard The White Stripes version, there’s just nothing better than the original to bring back the rush of sophisticated arrangements that allows them all to stand tall against the winds of time.

It’s a bit corny to bring up, but McCartney’s “Yesterday” would be the logical guess of which rock song could withstand the test of time. But every guy and girl on the stage today has played “Louie Louie” a million times as a testiment to their roots and where rock began, ultimately becoming  the most-recorded song in rock history.

One Night Band

Saturday night in Boston was an amazing musical experience. At the Middle East Downstairs, a collection of musicians joined together to put on a night of music worth remembering.

Since 2009, Boston Band Crush has started an event called One Night Band.

The idea is genius. Give 40 talented musicians a day to be tossed around in a hat and paired with different members from other local acts. The result could be disastrous but it definitely turned the other way.

Their goal is to take one day to prepare a handful of original tunes and one cover. Ashley from Boston Band Crush was brilliant enough to come up with this beautiful concept.

Like I said, the results could very well be terrible. But thankfully, Boston has an extreme amount of talented musicians. EVERY SINGLE ACT that played was great. No one was a let down.

All I can say is that I can’t wait for next years event. This one was one to remember for quite some time.

Let’s Give It To ‘Em Right Now!

The Boys From Tacoma Are Still Rockin’

If you are still trying to figure out what indie music means, all you need to do is attend a house party where The Fabulous Wailers perform and there is little doubt what kind of experience you’re in for. The Boys From Tacoma know how to rock, and for all intents and purposes they invented it with their first national hit in 1959. By 1960 they formed Etiquette Records, the first artist owned rock label, and released what would become the most-recorded rock song in history.

August 21, The Wailers (not the dudes from Jamaica by the way) put on one hell of a show at a standing room only outdoor house party with guests of all ages. A good many in the audience remember when The Boys From Tacoma hit the big time with “Tall Cool One.”  Written by keyboard player, Kent Morrill, when he was still in high school 51 years ago, the tune is widely recognized as the first rock and roll instrumental.  Take a listen here: http://bit.ly/2zqUfK. What you notice right away is how sophisticated the arrangement is and why it landed The Wailers an invitation on American Bandstand along with other invitations across the country including a radio interview with Alan Freed, the DJ who coined the term rock and roll.

The other song The Wailers must play at every gig needs little introduction as “Louie Louie” is the most-recorded rock song in history.  From the first three notes as the sax opens the tune, people are on their feet dancing and singing right along with the band. Neil Rush on tenor sax is unforgettable.

Gail Harris, who first performed with The Wailers when she was just 13 years old, appeared on a few numbers the most notable, “I Idolize You.” Though she too is well past her teenage years her voice is everything you’d expect from a tune that was originally done by Ike and Tina Turner.

From their newest recording, “Rooster Rock” The Wailers played a few of their new tunes and the perennial,  “Hand Jive.” It’s little wonder there is a hand jive routine that everyone participates in while The Wailers belt this tune out.  The Rooster Rock sound is a mix of rock ‘n roll, blues, southern gospel, rockabilly and some country, all scratched into a rockin’ sound that is undeniably The Wailers. Dr. John Hanford appears on electric and acoustic slide guitars, Buck Ormsby on bass, and Ricky Johnson of The Sonics sat in on drums.

For a glimpse into the history of The Wailers let Alec Baldwin and Billy Bob Thornton along with some other rock legends take you through a tribute to The Wailers in celebration of their 50th Anniversary at http://twocargaragemusic.com.

To put it bluntly, rock and roll is not just for kids. And for anyone who believes differently, there are literally millions of people in their 40s, 50s, and 60s who dig it and understand its roots more than most people in the music industry care to comprehend.

Photos ©  ML Sutton

Estelline at The Blue Light Live in Lubbock, Texas

Listen to “I Am A Monster” by Estelline, recorded live at the Blue Light and mixed by Charlie Stout at Sixgun Studios.

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Ask anyone who’s been kicking around Lubbock for a few years and you’re sure to hear a story about the time they drank with either Stoney, Cody, Randy, or Wade while one or the other played on the Blue Light stage.  Lately these guys might not come around as often as we’d like to see them but as their careers flourish, a new generation of bands take the stage in hopes of following in their hallowed footsteps.

Estelline is not one of those bands.

They aren’t trying to be like every Texas country band out there.  They aren’t trying to be like any Texas country band out there.  Founder and frontman Kenny Paul Harris makes no apologies for this, either: there is a depth to Harris’s material that most Texas country bands have yet to find an audience for anyway.  Consider the words of a heartbroken man driven not merely to the honky-tonk on the edge of town but to the abyss at the edge of the world:

I am a monster, lock me away
Was her eyes that drove me insane
Black as hell, cold as ice
When she disappeared it was no surprise

“Old country was all story-based, and that’s what we do,” says Harris.  Estelline takes the sad country song to an even darker place, both lyrically and musically.

Drums, bass, acoustic guitar, banjo, and a twangy guitar sound peppered with just enough delay to echo Harris’s haunting subjects characterize most of the songs they play.  Says drummer Justin Lentz, “we’re going for something honest that people can understand.  I personally don’t want to be that indie band that people don’t get.”

Rather than working to mask a vocal timbre that any pop-savvy vocal coach would seek to restrain, Kenny Paul Harris turns this into a defining characteristic of his performance, articulating each line with calculated drawl which sometimes borders on the dysphonic but always delivers with conviction.

“Playing at the Bluelight hasn’t been as tough as one would think,” explains Lentz. “We feel comfortable being the odd band out.  We think that it comes across OK with the crowd.  I’m sure that you’ll find the occasional cowboy who walks in and wonders what the hell we’re doin’ up there, but I think for the most part we’re accepted.”

Connect with Estelline at http://www.myspace.com/estelline1

Trevor Finlay Wins Opening for Charlie Daniels Band

August 14 – Nashville  It wasn’t a surprise when they called out Canadian-native Trevor Finlay as the winner for opening for the Charlie Daniels’ Band at Tennessee’s largest County Fair, the Wilson County Fair in Lebanon, TN (20 minutes from Nashville) – Monday August 16th – 7pm.  The contest took place at Nashville’s Legendary bar Tootsie’s.  There was a good number of contestants and good talent.  The crowd was cheering and clapping and it was plain to see that singer/songwriter/guitarist Trevor’s talent stood out.  His stage presence is hypnotizing.  He grabs your attention from the first note of his voice to the first chord on the guitar.  His songs are different, his style is different and I commend him for having the confidence to BE DIFFERENT!  What a breath of fresh air!!  He’s a natural performer and leader and I’m certainly a fan and a follower.  Want to join me? http://trevorfinlay.com Can’t wait to see him at the fair!

Josee Deschenes

Dimeaglass Entertainment

Metal Mayhem

On August 11, metalheads travel to an event that many consider to be the Mecca of heavy metal: Mayhem Festival. This year the headlining bands included Atreyu, Lamb of God, Rob Zombie, and Korn, all bands that basically peaked in popularity about twelve years ago. To any hardcore fans, the festival is the closest thing that could lead to a head banging induced seizure. On the other hand, for those who are seeking professional interviews with these metal icons, good luck.

You would think that after years of fame, scheduling interviews would come as second nature to the management of bands like Korn. Well, wrong. Simply requesting to ask Korn’s drummer, Ray Luzier, two questions turned into a grueling process involving phone calls with their flippant tour manager who unprofessionally cussed out any journalist trying to do their job. It wouldn’t be surprising to hear that someone attempting to get an interview actually replied to the guy with the blunt truth. Hey Mr. Manager with the funny accent, this is for the band’s benefit, not for ours.

After the manager’s excuses came Ray Luzier’s who, just for the record, is Korn’s new drummer (i.e. he showed up just in time to help the band attempt a comeback, which really didn’t work). According to his manager, Luzier’s wife was “on her way” and he was unable to answer some questions, though in the time it took for her to arrive, he could have done so. To put it in simplest terms, they’re basically unprofessional tools. Talk about a buzzkill before watching a band you actually jammed out to a few years back.

All drama and complications aside, anyone who followed rock in the nineties couldn’t help but staying just to hear Falling Away From Me or Freak On a Leash. Right when Jonathan Davis, the band’s lead singer, started the “ boom na da…” (whatever the hell he speaks in tongues) breakdown and Fieldy started his famous bass slapping, the crowd lost it .A classic is a classic, and you have to hand it to Korn for giving a crowd exactly want they wanted to hear.

How Sweet It Is – Moonalice in Concord

rnov

This year I’ve seen many Moonalice performances and have become well acquainted with this band who leads the way in maximizing live music in a digital era. Long gone is the analog model that supported the iconic rock bands of the 20th century.  The majority of Moonalice shows I’ve been privy to are live on the Moonalice Livestream channel http://www.moonaliceTV.com and their Concord, California performance August 12, was no exception.

The five-piece jam band appeared at an outdoor show in Todos Santos Park just east of Berkeley. From the looks of things about 1,000 to 1,500 people attended the all-ages free concert.

Moonalice literally rocks every venue they appear in with a fairly standard set of original and cover tunes. “A Whiter Shade of Pale” with Ann McNamee as lead vocalist was center stage when I logged into the real time show. Pete Sears (Jefferson Starship, Hot Tuna) and Roger McNamee share male lead vocals throughout each show.

An elegant and seasoned performer, Sears’ signature song is “Kick It Open.” With a distinctive Dire Straits flavor, this tune never fails to please.  He is a master keyboard player who tells a different tale in each tune through whatever musical style complements the story. On bass and guitar, Sears is one of the most accomplished performers you’ll find on any stage.

The band is rounded out by Barry Sless (Phil Lesh, David Nelson Band) the most remarkable pedal steel player I’ve heard. Listeners literally swoon at his delicate touch.  The guy who keeps them all grounded, is drummer, John Molo, (Bruce Hornsby and the Range) who fits this band like a glove. Molo, Sless, and Sears are legendary players who provide Moonalice iconic personality and rock solid credibility.

Speaking of personality, there is no keeping the effervescent Roger McNamee down. He is a showman from the word go. McNamee contributes a great deal of original material to Moonalice, and from last night’s performance two songs have his indelible signature on them: “Tell Me It’s Okay” and “In The Nick of Time.” These are crowd favorites, and everyone familiar with their music instinctively sings along.

A full-color, collectible poster is designed for each and every Moonalice show. Wendy Wright, of San Francisco designed the Concord poster seen here.

At the beginning of 2010 Moonalice had 110 shows on the books. Check their touring schedule at http://Moonalice.com for shows in your area. If you can’t find them locally check the touring schedule anyway, as nearly every show is broadcast live on the Moonalice TV channel. Login to the chat room and hang out with the Moonalice Tribe, a congenial group of people from all over the world who tune in to hear Moonalice whenever possible.